ALL
Impressum
Contact
Collection
Artists
About Us
Portraying Art
Carl Andre
Ian Anüll
Nobuyoshi Araki
John M Armleder
Georg Baselitz
Joseph Beuys
Max Bill
Louise Bourgeois
Angela Bulloch
Balthasar Burkhard
Jean-Marc Bustamante
Silvia Bächli
Miriam Cahn
Oldenburg Claes Thure
Peter Fischli / David Weiss
Martin Disler
Olafur Eliasson
Tom Fabritius
Helmut Federle
Ian Hamilton Finlay
Urs Fischer
Sylvie Fleury
Urs Frei
Bernard Frize
Günther Förg
Liam Gillick
Camille Graeser
Andreas Gursky
Richard Hamilton
Barbara Hee
Michael Hofstetter
Candida Höfer
Alex Katz
Ellsworth Kelly
Imi Knoebel
Eugène Leroy
Sol LeWitt
Roy Lichtenstein
Richard Paul Lohse
Richard Long
Urs Lüthi
Robert Mangold
Tatsuo Miyajima
Claudio Moser
Olivier Mosset
Muntean / Rosenblum
Meret Oppenheim
Laura Owens
Blinky Palermo
Eduardo Paolozzi
Jorge Pardo
Daniel Pflumm
Robert Rauschenberg
David Reed
Anselm Reyle
Gerhard Richter
Gerwald Rockenschaub
Ugo Rondinone
James Rosenquist
Eva Rothschild
Ulrich Rückriem
Jörg Sasse
Adrian Schiess
Albrecht Schnider
Martha Schwartz
Thomas Schütte
Steven Shearer
Frank Stella
Annelies Strba
Beat Streuli
Thomas Struth
André Thomkins
Wolfgang Tillmans
Niele Toroni
Nicola Tyson
Andy Warhol
Tom Wesselmann
Christopher Wool
Bernd Zimmer
Impressum
Contact
        Ulrich Rückriem Untitled   Rückriem Ulrich, *1938 (Düsseldorf)
Lives in Clonegal, Ireland, and Agon, France, works with sculpture and drawing.


Untitled,2000
Wall relief, 240 x 180 x 30 cm
© Ulrich Rückriem

Originally a stonemason by trade, Rückriem developed a set of working techniques for his stone sculptures in the late 1960s that he has continued to employ ever since. The process – which he refers to as his "grammar", enabling 560 different variations – involves cutting, splitting, sawing and drilling the quarry stone, polishing some surfaces while leaving others untreated. Out of respect for the natural qualities of the stone, the reworking is always kept at a minimum.

The sections are then pieced back together, with the fissures and marks of the interventions still visible, as in this work executed in Bleu de Vire granite.