ALL
Impressum
Contact
Collection
Artists
About Us
Portraying Art
Carl Andre
Ian Anüll
Nobuyoshi Araki
John M Armleder
Georg Baselitz
Joseph Beuys
Max Bill
Louise Bourgeois
Angela Bulloch
Balthasar Burkhard
Jean-Marc Bustamante
Silvia Bächli
Miriam Cahn
Oldenburg Claes Thure
Peter Fischli / David Weiss
Martin Disler
Olafur Eliasson
Tom Fabritius
Helmut Federle
Ian Hamilton Finlay
Urs Fischer
Sylvie Fleury
Urs Frei
Bernard Frize
Günther Förg
Liam Gillick
Camille Graeser
Andreas Gursky
Richard Hamilton
Barbara Hee
Michael Hofstetter
Candida Höfer
Alex Katz
Ellsworth Kelly
Imi Knoebel
Eugène Leroy
Sol LeWitt
Roy Lichtenstein
Richard Paul Lohse
Richard Long
Urs Lüthi
Robert Mangold
Tatsuo Miyajima
Claudio Moser
Olivier Mosset
Muntean / Rosenblum
Meret Oppenheim
Laura Owens
Blinky Palermo
Eduardo Paolozzi
Jorge Pardo
Daniel Pflumm
Robert Rauschenberg
David Reed
Anselm Reyle
Gerhard Richter
Gerwald Rockenschaub
Ugo Rondinone
James Rosenquist
Eva Rothschild
Ulrich Rückriem
Jörg Sasse
Adrian Schiess
Albrecht Schnider
Martha Schwartz
Thomas Schütte
Steven Shearer
Frank Stella
Annelies Strba
Beat Streuli
Thomas Struth
André Thomkins
Wolfgang Tillmans
Niele Toroni
Nicola Tyson
Andy Warhol
Tom Wesselmann
Christopher Wool
Bernd Zimmer
Impressum
Contact
        André Thomkins Untitled   Thomkins André, *1930 1985 (Lucerne)
Worked with drawing, painting, prints, sculpture and collage.


Untitled,1964
, 50 x 56 cm
© 2007, Pro Litteris, Zurich

André Thomkins' so-called "lackskins" employ a technique he discovered by chance in the mid-1950s and experimented with and refined over the following decades. He would apply enamel paints onto a water surface, manipulate the layers of paint and then retrieve the work by carefully skimming it off with a sheet of paper.

The ripples, streaks, swirls, channels and rounded forms evoke geological structures, landscapes, portraits and elements from the plant and animal world. As stated by the art historian and curator Friedemann Malsch: "These works make manifest Thomkins' interest in combining abstraction and figuration on new, neutral terrain (the lackskin technique)."